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Craig Mod makes an interesting case for celebrating the (supposed) demise of “disposable books” — he elaborates at some length a simple distinction between books where the content and form are integral and those where they are independent — and welcoming the IPad as a reading platform. Here’s a sample:
We’re losing the dregs of the [...]

These are preliminary design pages for a new book about the art of Bali. The font is Garamond Premier Pro. The image is a cool piece by I Ketut Ngendon (1903–1948) called Goodbye and Good Luck to Margaret Mead and Gregory Bateson, 1938 (Batuan, Bali. Ink on paper. Mary Catherine Bateson).
The pages are the [...]

The first post at The Art of American Book Covers, by Richard Minsky, was made on August 26, so this blog is less than a month old. I regret that I don’t remember who directed me to it, but this blog is so rich in knowledge about techniques of book production that it makes me feel like an absolute novice. The blog will apparently focus on fine books of the nineteenth century.

Recently Wired magazine asked a group of designerz to reenvision Craigslist. According to Wired, “Visitors arriving at craigslist are confronted by a confusing homepage cluttered with links most people will never click on. Overall, the user interface is in dire need of an organizing principle that guides you to the details you seek while filtering [...]

I have been toying with the idea of starting a little imprint to publish mainly world literature and other titles with international scope. It would be called Hanuman Maximon. (Hanuman is the monkey hero of the Ramayana; Maximon is the cigar-smoking rebel saint of the highland Maya.)

This is a logo for the imprint. I haven’t [...]

Over at Eye blog they’ve pitted Robert Klanten and Matthias Hübner’s Fully Booked against Jan Tschichold’s The Form of the Book in a book design battle.
Find out who wins.

Over at the Asian Art Museum blog I’ve written a post briefly outlining some of the issues involved in designing Emerald Cities: Arts of Siam and Burma, 1775-1950. I oversaw this project; the book was designed by Tag Savage of Wilsted & Taylor.

There are special issues for American designers when working with Southeast Asian subjects. This book demonstrates, I think, how they can be successfully addressed.

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I was looking for a video to help explain the Fibonacci sequence to someone who didn’t know about it. There are a lot of them that aren’t especially helpful. This one is okay (apart from the spooky music). Maybe a really excellent one will still present itself.
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The design firm Pentagram was recently honored for its long-term collaboration with the Public Theater in NYC. The video includes more than 300 pieces.
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From bulooji’s photostream.
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via Fosfor Gadgets
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Can we agree the whole branding thing has got out of hand? I wish that branding had never left the cattle corral. These days, instead of selling an actual product you sell the idea of the product. So you spend all your time working not on the product but on the idea of it.
Today even [...]

This is a little map I did for Emerald Cities: Arts of Siam and Burma, 1775-1950, a catalogue of a forthcoming exhibition at the Asian Art Museum. The museum’s website says:

“If you do three designs, and there’s one you love, one you like, and one you think is crap, nine times out of ten your client will go with the one you think is crap.”
Or so it says here.
What is wrong with this picture?
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Cartoon via Telec Thoughts.
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Admit it designers, you’re a bunch of playbabies. Witness:

John Gall, book designer for B&N, shares some thoughts about book cover design.

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Almost a year ago, the excellent India Ink was tagged for excellence in blogging, an award she rebranded as the Charles Montgomery Burns Award. Mr. Burns is the owner of the Springfield nuclear power plant on the Simpsons. Well, India’s blog is hot.

Crave that prominent-grid, basic-fonts, industrial design aesthetic? Massamo Vignelli  would tell you that you can’t just imitate the surface, which must emerge as an epiphenomenon from an essential spirit embuing the design at its most fundamental level. He has put a document called The Vignelli Canon on the web as a pdf. It’s worth consulting. [...]

Over at India, Ink., the redoubtable India is thinking about “what materials and processes and vendors to use to make books that will last a hundred years.”
I think traditional books will survive the digital revolution but that their role will change. They will become luxury items, keepsakes, so whoever still knows how to make the [...]

My final guest post at ForeWord Magazine, an introduction to book design, is now up.
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That’s the topic of my first column over at ForeWord magazine, where I will be doing a series of four guest posts for their Publishing Insider section this January.