Recently we stayed in Agerola in the Lattari Mountains overlooking Amalfi. Our place was down a narrow, semi-dirt road that wound around the side of the mountain above the hamlet of San Lazzaro. Twice a day a goatherder would drive his goats down the road. We would hear them coming by the pleasant jingling of their bells, a sound punctuated by the sharp whistles of the herder as he kept the goats on path. This video was taken as we were leaving our house to head out for a walk.
Category: travel Page 2 of 3
While driving the Via Amalfitano has its motoring excitements as well as its famously spectacular views,
As I have mentioned, I’ve just returned from a vacation in Italy, and some posts will be a little off-topic for the next few days. Somewhere along the line I acquired Italian phrasebooks by the Rough Guide and by Langenscheidt, and we took these with us as a hedge against pointing in the supermarket and babbling “that one.” The Langenscheidt got no use, except for one evening when I pulled it out and soon found myself convulsed with laughter.
Okay, I guess I’m still a little jetlagged — or maybe just worn out from coming back to an office in crisis mode. Anyway, too tired to do more than post another couple photos (click through for larger versions) from the Sentiero degli Dei — the path of the gods — in the Lattari Mountains overlooking the Amalfi coast.
This photo was taken from the spectacular trail in the Lattari Mountains overlooking the Amalfi Coast called the Sentiero degli Dei — the path of the gods. A few hours after the photo was taken a fierce storm hit the coast. (Click through for a larger version.)
I’ve just returned from a trip to Rome and the Costa Amalfitano and will return to blogging. I’m processing my photos from the trip and sorting them into smaller and more manageable sets and hope to post them to Flickr over the weekend.
In this blog I try to mostly focus on issues of print and electronic publication, from concept through distribution. But I am likely to be off topic for a bit as I share some Italiana over the next week or so.
Sure, it’s a little overcast, and it rained a bit earlier. But wouldn’t you expect there to be someone on the beach at 1:00 in the afternoon?
Whenever I come across a new blog I read the latest postings and, if I like those, I add the site to my news reader. I always intend to go back and browse the archived postings but I rarely do so. Figuring that a lot of visitors to my site also never make it too far into the archives, I decided to pull together a selection of postings from my archives and create a free e-book.
It’s a handsome book in a narrow vertical format (a format often used in travel publishing). The Bodoni face seems a good choice for the subject. My only regret is that there are not more images, which would surely bring value and add appeal, considering the subject.
The immediacy of blogging may cause us to forget that the process is also a way of preserving content and building on it. I think this project is an excellent example of utilizing and repurposing the results of sustained, focused blogging.
These ladies were having a great time at the Getty Center. They thought it was a hoot that I wanted to take their picture.
More L.A. photos: At Buried Mirror I’ve posted a couple of pictures of the wonderfully kitsch facade of the Mayan Theater.
I’m having some trouble getting my Maya materials online because there are so many of them, and there’s just so little time. So, we’ll do this one building at a time. This is “El Caracol” (“the snail,” so called in Spanish for its winding internal staircase), which is called “The Observatory” in English.
It’s not hard to see how it gets that name, because it looks a lot like a modern observatory. It’s quite unusual for a Maya building, with its round dome placed on a square base. Slits in the dome allowed viewing the sky at the cardinal and subcardinal directions. Certainly the movements of celestial objects were important to the Maya, and their astronomical reckoning was quite advanced (witness their highly accurate calendar). But I’m not sure that we can say definitively how this building was used in its particulars. As with all Maya sites, a great deal of fancy has come to surround the ruins, making it difficult to separate fancy from fact.
The earliest parts of the Observatory were probably constructed in the ninth century. The building underwent several modifications over the succeeding centuries.
Click the small image in the post to see several more images of the Observatory.
Over at Frisco Vista I’ve posted a photo of a windmill in Golden Gate Park and, for comparison, one in Bruges, Belgium.
Well, I guess I’m on a windmill kick. (After all Cervantes and I share a birthday . . . the day, not the year, smart ass!) So here’s a picture of the inside of one of the Bruges windmills:
Much of the Maya Riviera, stretching from Cancun south beyond Playa del Carmen, is a bit of a horror show, full of giant resorts and traffic jams, and crawling with loud, lobster-red gringos. Puerto Morelos (â€œla joya del Caribeâ€ — the jewel of the Caribbean), however, though just 25 kilometers or so south of Cancun, still retains — for the moment — much of its flavor as a sleepy fishing village. I’ve posted a few lazy photos on my flickr site.
I’m just back from a trip to el mundo Maya.
This photo (click the photo — or here — for a larger view, via Flickr) was taken in very dark conditions at Cenote X’Keken near Valladolid in the Yucatan. Travelers to the Yucatan know that cenotes are sinkholes formed by water erosion through acidification of the limestone of which the peninsula is composed. Historically, cenotes were the main water source for the Yucatan Maya. Some cenotes are open like ponds, others are covered caves, like this one. This cave is entered through a tunnel. Above the water is an opening through which a small amount of light enters.
On the left is the original photo, which approaches being completely black. On the right is a fix that at least gives some sense of the cave atmosphere and the turquoise color of the water (which is cool and is used as a swimming hole; in the fix I removed some ropes that were installed as aids to swimmers).
For an explanation of this photo technique, see this post on restoring dark images.
For this image from my Bruges in December 2006 photoset (click image for larger view) I lightened and brought out detail in the dark areas using the following workflow:
1. duplicate background layer
2. desaturate new layer
3. invert desaturated layer
4. gausian blur new layer (a lot)
5. change blend mode to soft light
6. adjust levels, curves, hue/saturation
This is a wonderful trick for bringing out detail in the shadow areas of underexposed photos. (BTW, I set my camera to underexpose slightly because information can be pulled out of dark areas but areas that are burnt away are just gone.)
I also sharpened using my usual method:
1. duplicate background layer
2. set blend mode to overlay
3. adjust transparency to about 55%
4. apply high pass filter
This sharpens the image in a nondestructive way, and the image stays sharp when resized.
No flash or tripod was used. The image was taken after dark (at 9:33) with an f-stop of 3.5 and an exposure of 1/8.
By the way, my flickr site is very lonely. No one is making any comments. I guess it’s not getting any visitors. 🙁
Coming back from Belgium my flight to Heathrow was cancelled because of freezing killer fog. By hiking to the Bruges train station at 3:00 am, I was able to get to Brussels in time to catch a Eurostar train to London. But the Eurostar train was also delayed, and so were all the local London travel options to the airport, so I ended up arriving at Heathrow just a little too late to catch my flight home to San Francisco.
I thought of taking a room at the airport Hilton, but the cheapest room was 363 GBP, which is around $700, and I just couldn’t see it. I could have gone into town and looked for a hotel (not an easy task on the busiest travel day of the holiday season, especially since nearly 200 flights had been cancelled at Heathrow alone), but I was too damned tired. Besides, then I would face the problem of getting back in time for my rebooked flight the next morning.
So I spent a day at Heathrow. Man, they have got to lighten up on the nagging public address anouncements, which repeat incessantly (don’t leave your luggage unattended, don’t leave your car outside the entrance, don’t do this, don’t do that, nyah nyah nyah — the announcers, with their prudish chirping schoolmarmish voices, all sound exactly like Bridgit frigging Jones).
Anyway, over the course of my stay I worked out a few strategies:
1. Get a luggage cart, even if you don’t need it. This is your equivalent of the homeless person’s shopping cart. It will serve as a footrest and a barricade.
2. The promised land is the boarding area, but you can’t get there because you don’t have a pass. Therefore, exit the departures area, which is crowded with hysterical travelers who, like you, have missed their flights, and head for the arrivals area. Here the carpet is slightly thicker and there are a few better nooks to hole up in.
3. One of the best nooks is near the men’s bathroom at the end of the hall (terminal 3), which is protected by a neglected storage closet and some little-used benches. This is where I crashed initially, but the guy shown in the first picture, above, stole my space when I got up for a little hike.
4. But ha! An even better space will open up around 11:00 pm, as shown in the second picture. There is a really bad restaurant in this area that closes at that time. Most of the restaurant is locked up behind a grate after closing, but because of this place’s peculiar geography, there are two booths, each with two approximately six-foot-long leatherlike benches, that will remain outside in the common area. This is where you want to be! Put your bags under the table where they will be safe and stretch out on the luxurious bench.
I’ve added a bunch more photos to my flickr set of pictures of Bruges in December.
I noticed that Photoshop’s “save for web” plug-in stupidly strips out the images’ exif (camera settings) data. I think that information should always be available, so I’ve done regular manual saves on this batch. Later on I’ll replace the earlier ones that had the exif data stripped out.*
*Okay, done — I did lose some of the comments and descriptions though, so if I obliterated your comment it was unintentional.