Right-reading (adj): Having the proper orientation (used in printing)

Today is Thursday, February 9, 2012 10:16 pm (U.S. central time).

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Tom Christensen
("xensen") . tom [at] rightreading.com
 

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12 Recent Posts

Most posts appear early weekday mornings.


 

Some Popular Pages

1 How to Get a Book Published
2 Persian Ceramics
3 Chinese Jade
4 Creative barcodes from Japan
5 Taoism and the Arts of China
6 The digital divide
7 New graphic design 8 Gutenberg and Asia
9 The Yi jing
10 Glossary of Book Publishing Terms
11 Books for Writers
12 Famous Last Words
13 On Julio Cortazar
14 On Lewis Caroll's Sylvie and Bruno
15 Daybook: September
16 The Making of Masters of Bamboo


Some popular blog posts, 2006-2008

mailbag posts

Mailbag: A form query

I received the following e-mail:

Within the last few months, I sent you a query regarding my book, [title redacted], which you kindly declined to represent. In the interim, I have built my own website , and I’ve since had grown my audience to hundreds of enthusiastic readers. I’d like to invite you to check it out at [url redacted],

If you are interested in representing this book, then I would be interested in speaking with you.

Thanks for your time,

If anyone is interested in how to write a query letter, well, this is not the way.

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Mailbag: A book of idioms

Right Reading  received the following e-mail (slightly edited) from Jag Bhalla.

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Mailbag: Bellemeade Books and Jonathan Williams

Mark Bromberg of Bellemeade Books writes on the subject of Jonathan Williams, author and publisher of the Jargon Society (we published his The Magpie’s Bagpipe at North Point Press) and generously includes the above scan of a Jargon Society publication, which I take the liberty of sharing.

… I have been a long-time reader and admirer of the late Jonathan Williams and his Jargon Society Press, the website here now run by his friend and collaborator, Thomas Meyer (A selection of 1960s correspondence between Davenport and Williams about publishing, art, and life can be found here).

I thought you might enjoy this cover image of “Elite/Elate Poems” (Jargon, 1975) — with authentic-era coffee stains! — and a BellemeadeBooks post about Mr. Williams from the archives. You will be able to access the entire blog with more timely posts once you are there.

Thanks, Mark!


Mailbag: Electric Literature 2 (and party)

Andy Hunter, Editor in Chief of Electric Literature, writes:

I wanted to let you know we just released our 2nd issue, featuring work by Colson Whitehead, Lydia Davis, Stephen O’Connor, Pasha Malla, and Marisa Silver….

We made a trailer for Colson’s story: http://www.youtube.com/watch?v=lSf_4vxWmxg – we are always extremely grateful when you feature our videos on your site.

Sure, why not?

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Mailbag: Press release promoting a resource for writers

Right Reading passes along the following e-mail unedited (except for removing the publicist’s e-mail address). This is a typical form for a book press release. The brief personalized cover note shows the publicist is doing her job diligently. The writing advice is pretty standard for conventional mainstream fiction, and writers should be aware of these conventions before choosing to break them.

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Mailbag: What should my royalty rate be?

Rightreading hereby initiates a new feature (no doubt destined to be as fitful as all our others) in which we answer e-mails from readers.


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A reader writes

I know very little about book contracts.

Can you please elaborate on this subject?

Specifically, what percentage of each book sold should I receive as the author?


.

Dear reader

The most general answer is “whatever the market will bear.” If you are writing great poetry that will someday be taught in university classes, the answer is no one is likely to pay you any royalty at all. On the other hand, if you are a famous and controversial public figure — Sarah Palin say — you can pretty near name your price.

But the general answer isn’t much help to the vast majority of writers who fall somewhere between those extremes.

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